Terribly thrilled to be the subject of a sudden and somewhat humbling retrospective of my work thanks to the guys at Horrified Magazine. In their words (not mine) - "What better way to see in Halloween than with a celebration of the very writer who scared the hell out of anyone who settled down on a Saturday night, All Hallows’ Eve in 1992, to watch a BBC ‘spoof’ horror programme? Ghostwatch left an indelible mark on many, if not everyone, who experienced it and caused such tremendous shockwaves that it’s never been rebroadcast. Even 28 years later, Ghostwatch is still heralded as landmark horror television, and quite rightly so. 

"Yet, Stephen Volk’s career is about more than Ghostwatch alone. From the screenplay to Ken Russell’s Gothic (1986) to last year’s set of essays, Coffinmaker’s Blues, by way of the brilliant triptych, The Dark Masters Trilogy and 2011’s The Awakening, his work continues to terrify, thrill and challenge us. 

"Our celebration features an essay on Ghostwatch, a new 3-part interview with the man himself, a special Halloween giveaway of Stephen's books (see below) from PS Publishing, reviews of The Dark Masters Trilogy and Coffinmaker's Blues – plus a brand new short story, "For the Benefit of the Tape" written exclusively for Horrified. 

"And," they add, helpfully - "just before you think of leaving this page - remember, Pipes said we’ve got to stay…"

Best-selling novelist Neil Spring - author of The Ghost Hunters (adapted into the ITV drama Harry Price: Ghost Hunter starring Rafe Spall), The Watchers, The Lost Village, and The Burning House, kindly asked me to interview him for the online launch of his spooky and gripping new novel The Haunted Shore. I was more than delighted to do so.  I think we had an enteratining chat in the run-up to Halloween about what intrigues us both about the subject of the supernatural in fiction and real life - in fact, both of us rather blur the lines between the two. (For instance, Neil features Aleister Crowley as a background, malignant force in The Burning House, whereas I use him as a fully fledged character in "Netherwood" - one of the stories in my Dark Masters Trilogy.) Watch the whole conversation on Facebook here. Neil reveals some fascinating insights into the inspiration for The Haunted Shore, set as it is against the atmospheric and eerie background of Orford Ness, and, as ever with his stories, is as much about a sense of place as it is about the echoes of past traumas acted out in the present. A real page turner. ​

Buy your copy of The Haunted Shore here

I think it’s true to say that many of us horror writers of a certain generation have treasured memories of Hammer Films, Amicus Productions and their ilk. In fact, their output of genre classics is so important that some of us have secretly longed for a way to relive and recapture the excitement we had when we first experienced them. 

​That was my exact impulse when I first talked to Mark Morris about a book proposal entitled The Blythewood Horror Film Omnibus — an unashamed homage to John Burke’s Hammer Horror Film Omnibus, a fat paperback that came out in the sixties, comprising four novellas based on upcoming horror films. The difference being that our “Blythewood” would be a studio that never existed.

​Our four films would be movies that we’d invent from scratch. Movies we wished we could have seen as feature films when we were growing up. And now we can – in book form – thanks to PS Publishing.

Stephen Volk

Amongst the eighteen entirely new stories  brought together to celebrate the thirtieth year of Tartarus Press in the latest Strange Tales volume is my own contribution, "The Flickering Light", in which the preternatural flits in a hesitation between past and present tensions, real or imagined.

Tartarus says: Representing the best contemporary writing in the fields of the literary strange, supernatural, fantasy and horror, the contents of this anthology range from the wry comic fantasy of Jonathan Preece’s "Great Dead American Authors Alive and Living in Cwmbran", to the atmospheric horror of Andrew Michael Hurley’s "Hunger". ​In "Grassman" by Rebecca Lloyd, two sisters come of age during a village ceremony, while in "Meiko" by J.M. Walsh, a mysterious guest upsets the equilibrium of a country house party. Mark Valentine’s "Other Things" documents the romance and strangeness of private lore, while the search for a missing girl leads to a sinister discovery in D.P. Watt’s "The Wardian Case". Dark family secrets are gradually uncovered in Angela Slatter’s "The Three Burdens of Nest Wynne".

Founded in 1990 by Ray Russell and Rosalie Parker, Tartarus has become a well-egarded feaure of the genre publishing landscape, known for championing both classic and contemporary writers. The stories in this volume sit proudly within that tradition, and I'm very proud to be a part of it.

See here for full table of contents and list of authors

Some samples of beautiful concept art by the supremely talented Richard Dearing for a putative graphic novel rendering of Whitstable. I'm overjoyed and overawed. It would be tremendous for it to come to fruition one day. 

These designs for the DVD covers for Afterlife in the USA (Region 1) don't really convey either the atmosphere or the story content of the ITV drama series. But hey, it's rather nice art in its own right.