THE PARTS WE PLAY
by Stephen Volk
(story collection, PS Publishing, 2016)
An illusionist preparing his latest, most audacious trick... A movie fan hiding from a totalitarian regime... A pop singer created with the perfect ingredients for stardom... A folklorist determined to catch a supernatural entity on tape... A dead child appearing to her mother in the middle of a supermarket aisle... A man who breaks the ultimate taboo -- but does that make him a monster?
In this rich and varied collection of Stephen Volk's best fiction to date, characters seek to be the people they need to be, jostled by hope, fears, responsibility, fate, and their own inner demons -- and desires.
These tales of the lies and lives we live and the pasts we can't forget include the British Fantasy Award-winning Best Novella, Newspaper Heart.
"They tell the human story the way only the best horror fiction can. And no one tells that story better than Stephen Volk" Nathan Ballingrud, from his introduction
"Volk has a gift for taking ordinary situations and making you see that darker side that lurks just behind. One of the best short story collections I've read in recent times - highly recommended. 10/10" Sci-Fi Bulletin
"One of the must-have collections of the year" James Everington
"Stephen Volk is one of those annoying people who can't write a bad story" Guy Adams
"Stephen Volk is gradually earning the label as a master of the British horror short form. If Monsters in the Heart gave us a glimpse of this excellence, then The Parts We Play has blown the screen door wide open" Anthony Cowin, This Is Horror
"This collection demonstrates an impressive range, as well as a biting sense of humour. Terrifically written... (a) varied and highly enjoyable collection" Will Salmon, Horrorville
"Horror and Heartbreak" - Introduction by Nathan Ballingrud
A Whisper to a Grey
The Peter Lorre Fan Club
With All My Love Always Always Forever XXX
Matilda of the Night
The Shug Monkey
The Magician Kelso Dennett
Accompanied (in the slip-cased PS edition) by:
Two stories by Stephen Volk
(PS Publishing, 2016)
The Three Hunchbacks
The House That Moved Next Door
by Stephen Volk
Afterword by Stephen Gallagher
(novella, Spectral Press, 2015)
One evening in 1906 a chubby little boy of seven, son of a London greengrocer, is taken by his father to visit the local police station.
There he suddenly finds himself, inexplicably, locked up for a crime he hasn't committed - or has he? Blinking into sunlight, traumatized by his overnight stay, he is told by his father the next morning: "Now you know what happens to naughty little boys!" But the incident is the catalyst for a series of events that will scar, and create, the world's leading Master of Terror in the century to come...
"A chilling and dark work that might have come from the mind of the Master of Suspense himself. An unexpected journey into a heart of darkness" Paul Simpson, Sci-Fi Bulletin
"A daring, chilling, beautifully written piece of work" What are you reading for...?
"A staggering achievement... testament to the extraordinary writing talents of Mr Volk... The reason the book felt so special to me was for that wonderful invocation of the time, the place, and this singular child. Hitchcock buffs will no doubt revel in the ghost of future movies that haunt the text (and rightly so), but I think the greatest strength of the book is that I genuinely believe you could know almost nothing of Hitchcock's work and this would still stand as a powerful, gripping and amazingly evocative narrative" Kit Power, Ginger Nuts of Horror
"Volk's book brilliantly and movingly gives an origin myth to bring light to the ambiguous depths and tragic dimensions of the films, and to restore to Hitchcock his humanity, the wounded and confused pain and compassion at the heart of his work" Jez Winship, Sparks in Electric Jelly
"Leytonstone is intensely vivid, handled with sensitivity and poise, and every bit as impeccably crafted as Whitstable was. Just like its forebear, it's a thoroughly compelling and elegant tale given that special extra something by the considered addition of its choice of protagonist. Volk likely has another award winner under his belt, here. And rightly so" Gareth Jones, Dread Central
"Not only will you find lightning has struck twice, you're now eagerly awaiting when it will strike next. Stephen Volk is a master storyteller. And what stories!" Johnny Mains, editor of Best British Horror
"Through his lengthy career in Hollywood, Hitchcock assiduously maintained his English identity, formed in the streets of his native Leytonstone - and it is this period in which Volk sets his elegantly written, always fascinating narrative... This one is a piece to relish - even if you are not an Alfred Hitchcock aficionado (although that certainly helps)" Barry Forshaw, CrimeTime
"Stephen Volk's novella is engaging and audacious. With sombre glee and descriptive verve, he etches a dark tale of burgeoning adolescence that features his hero in an appearance rather more complex than the familiar cameo. It is a modest but persuasive box of imaginative gems for any lover of cinema" Terry Johnson, playwright of Hitchcock Blonde
"In Leytonstone, author Stephen Volk manages to take a familiar moment in cinema lore and, in a brilliant mix of scholarly research and a vivid, wicked imagination to a dark extreme, creating a one-of-a-kind tale of terror and suspense. Volk possesses a questing mind and an expansive heart and vividly paints dark and light sides of the human equation like few others" Mick Garris, producer of Masters of Horror and Fear Itself
"A new tale which engrosses from the first paragraph... It's a unique, absorbing, disconcerting and evocative story and thus is a worthy successor to the wondrous Whitstable" Tim Dry
"An incredible piece of writing... Leytonstone has the makings of another classic. Befittingly, Stephen has proven the claims of the Jesuits by taking the boy at seven and giving us the man. It's a book I highly recommend" Anthony Watson, Dark Musings
"The writing here is superb and I experienced a voyeuristic pleasure in reading this fascinating narrative, an aspect which would not have been lost on Hitchcock... Highly recommended" Brian Lavelle, No Time is Passing
"I am still processing Leytonstone. Wow, what an amazing read. Incredibly evocative of another time and place, also quite weird, sad and VERY scary. Stephen Volk might well have got to the heart of the man, and the fact I enjoy Hitchcock's film-making and want so badly to like the person who made them makes it all the more unsettling. A tremendous balancing act, and, for me, a real horror story about the dark side of human nature" Anne Billson, film critic and novelist
"Another triumph... There's much to admire here: the skilfully drawn setting, the vibrantly drawn secondary characters, the surprisingly moving coda... Volk's precise and supple prose is the perfect vehicle for his tale. Whether you view Leytonstone as horror, historical fiction or character driven literature is irrelevant. It's quite simply one of the first must reads of 2015." James Everington, This Is Horror
"Likely to be one of this year's most celebrated books" Leytonstone is "a compelling fictional story of guilt, punishment and unintended consequences... (offering) deeper thrills than mere reference-spotting, with its richly evocative description of London in 1906 and Volk's superb characterisation of the young Hitchcock and his parents. A triumph of the imagination... (it) confirms Volk's status as one of the best writers we have. A book to treasure" - James Everington, This Is Horror
"A weighty tale, sometimes innocent and charming, often darker and grittier, but never once putting a foot wrong. Superbly written, atmospheric and tense, this is perfectly structured and never less than gripping. A wonderful read and a worthy successor to the powerful Whitstable. Very highly recommended" Strange Tales (Mark West)
"It's simply incredible and, whether you are a fan of the director's work or not, a compelling, beautiful and unsetlling story of how obsessions are formed" Guy Adams
"Gets to the heart of Hitchcock more effectively than any biography I have ever read, with the kind of disturbing thrills worthy of the man himself at his peak" Neil Snowdon, editor, We are the Martians: the Legacy of Nigel Kneale
"I absolutely loved Leytonstone. Emotionally and psychologically devastating, yet quiet, sad and drenched in melancholy. Masterful" Gary McMahon
"Reading Stephen Volk's remarkable short novel Leytonstone, with its patient, spare, expertly-paced evocation of the life and fears of a very young Hitchcock, you feel a very long way from the abyss, until, in its devastating last quarter, you come to realise just how close you have been to the drop throughout. Volk suspends suspense and then unleashes it like a wave of acid. Leytonstone is an apparently simple tale, told patiently and with a quiet generosity, but when it finally has you in its cupboard, in its stinky cell, in the head of its director, then it takes you beyond cinematic representation to a deeply troubling place; a territory beyond representation where your condition is in the hands of something or someone that, no matter how much it wants to be good, cannot come close" Phil Smith, Mytho
"A fictionalized version of a signal event in the life of six-year-old Alfred Hitchcock, (Leytonstone) is a deeply felt, nuanced, sad, big-hearted work, written with compassion and an unflinching eye. I was already pretty sure I would love it, but it managed to delight me even more than I expected" Nathan Ballingrud, author of the Shirley Jackson Award-winning North American Lake Monsters
"Beautifully written and compelling. Volk is a master storyteller" Barbie Wilde, author of The Venus Complex
"This is an engrossing story, one which chronicles the birth of a fantastic imagination and the events that shaped Hitchcock to his role as purveyor of terror" Peter Tennant, Black Static
"Leytonstone is a genuine insight into the great director's young mind with the frisson of the adult Hitchcock to come" Christopher Fowler
"This tale of the young Alfred Hitchcock proved equally as impressive as Stephen's previous novella Whitstable, showcasing the author's innovation and craftsmanship to great effect" Dark Musings (Pick of 2015)
"This is beautifully evocative of the budding Fred and his 'objective correlatives' that we might see developing into his later skills and obsessions... Only special fiction can carry such strengths to alter perceptions of truth and fiction... Fred memorised as a later triangulation of truth, where all outcomes point to the only inevitability that is you. Each throwaway object, like a piece of fruit cake, being a potential catalyst for all else. The closing scenes of this book feel heartbreakingly true about the harm people do in retrospect to those they love" D F Lewis, The Dreamcatcher of Books: Gestalt Real-Time Review
MONSTERS IN THE HEART
by Stephen Volk
(story collection, Gray Friar Press, 2013)
*Winner, Best Collection, British Fantasy Awards 2014
A giant ape… A heartless priest… A descent into depravity under London… An immortal hound… A baby thrown up by the sea… A Voodoo prayer… A legend made flesh in the eyes of a terrified child…
Monsters come in all shapes and sizes…
From human individuals with an evil streak or deeply aberrant nature, to those who are simply physically wrong. From beasts of the imagination to modern myths from the big screen…
In these 15 stories representing the very best recent fiction by the writer of TV's Ghostwatch and Afterlife and the acclaimed novella "Whitstable", you will meet all the things that made our childhoods terrifying - and bearable.
Others had Bobby Moore or Elvis. We had Christopher Lee and Quatermass. We had monsters in our hearts forever…
"A marvellous collection. Imaginative, intelligent writing from a master craftsman. Highly recommended" Dark Musings
"Serves both as a time capsule of Volk's work over the years, but also his diversity in how he crafts his stories" Gef Fox - Wag the Fox
"A very fine collection" Simon Bestwick
"Exceptional" Mark Morris
"Where would horror be without Stephen Volk? Very much the poorer is the answer. The book collects 15 stories that range from the touching ('Swell Head') to the outrageous ('In the Colosseum'), from the witty ('Who Dies Best') to the unsettling ('After the Ape'). All demonstrate Volk to be as versatile and creative in the short story medium as he is as a screenwriter. Highly recommended for fans of contemporary, well-written, intelligent horror fiction" John Llewellyn Probert
"A frankly remarkable collection of stories... Up there with the very best" Matthew S. Dent - Mad Man With A Blog
"A captivating showcase of the author's skill in creating dark and disturbing material... Warmly recommended" Mario Guslandi, British Fantasy Society website
"A thoughtful, humanistic blend of movies and creatures, love and the loss of love... Excellent collection" Nathan Ballingrud
"(An) excellent collection by one of the UK's leading exponents of the short form" Peter Tennant, Black Static
After The Ape
Who Dies Best
A Paper Tissue
In The Colosseum
*Appeal For Witnesses
[*new, never-before-published stories]
by Stephen Volk
Afterword by Mark Morris
(novella, Spectral Press, 2013)
*Selected for Mammoth Book of Best New Horror 25, ed. Stephen Jones
*Finalist for Best Novella, British Fantasy Awards 2014
PUBLISHED IN 2013 TO HONOUR THE CENTENARY OF PETER CUSHING'S BIRTH
(cover art and design by Ben Baldwin)
1971. A middle-aged man, wracked with grief, walks along the beach at Whitstable in Kent.
A boy approaches him and, taking him to be the famous vampire-hunter Van Helsing from the Hammer movies, asks for his help. Because he believes his mother's boyfriend is a vampire...
"Not only a gripping story but a vivid vignette about one of Britain's best loved actors." Hellnotes
"This will engross and enthrall all Hammer fans and those who adore and revere Cushing. It brings his screen persona vividly to life in a modern context when the monsters are all too real." Tony Earnshaw, author of An Actor And a Rare One: Peter Cushing as Sherlock Holmes and Beating the Devil: The Making of 'Night of the Demon'
"A chilling cat-and-mouse tale... Whitstable is a triumph... as fitting a tribute to the man as could be imagined." Starburst
"A brilliantly written and finely detailed character piece with an uncomfortable undercurrent of modern day horror... so honest and human than even readers unfamiliar with Cushing will find this an extremely powerful read" HellBound Times
"Possibly the most touching tale that we have had the privilege to review... Whitstable effortlessly blurs reality and fiction in a beautifully realised tale of good versus evil... A must read; not only for fans of Cushing but lovers of great writing in general" Geek Syndicate
"The sensitivity, technical virtuosity and razor-sharp wit of the author's storytelling make Whitstable an entertaining, emotionally resonant and insightful read... Stephen Volk is at the top of his game... An enthusiastic salute to a towering figure in British cinema, a perceptive exploration of the link between imagined and experienced horror, and one of the most gripping and original stories you'll read this year" Andy Hedgecock (co-Fiction Editor, Interzone)
"Stephen Volk has produced a novella that works both as a gripping thriller and as a beautiful and heart-breaking tribute to one of horror's finest stars... Very few books have actually caused tears to well up in my eyes. The love and respect that the author has for Peter Cushing is laid bare on the pages, and as a reader you cannot help but become totally immersed in this poignant tale" Jim McLeod, Ginger Nuts of Horror
"Elegant, moving and absolutely magnificent" Simon Kurt Unsworth
"Peter Cushing was my first hero, and in my opinion Stephen Volk has done something heroic by putting the man who fought onscreen monsters at the heart of a very human drama. Sad, tinged with a palpable sense of loss, beautifully written, and blessed with an unerring eye for crucial detail, Whitstable is a story to savour. If I may be so bold, I'm convinced that Peter Cushing would have approved" Gary McMahon
"The depth of feeling with this character is so strong that you may just want to reach into the pages of the book to console him... A wonderfully written and absorbing novella" Ebookwyrm
"A wonderful piece" David Pirie, author of A Heritage of Horror: The English Gothic Cinema
"I loved Whitstable! It's a beautiful love letter to a man, a genre, and an era that means so much to those of us of a certain age" Mick Garris, producer, Masters of Horror
"A genuine masterpiece... Moving, haunting and triumphant" Johnny Mains (editor, Back From the Dead: The Legacy of the Pan Books of Horror Stories)
"Simply brilliant writing... I almost pity Mr Volk, as he is now in the unenviable position of having to follow this truly inspired piece of work" Dave Brzeski, British Fantasy Society website
"At the heart of this novella is a subtle and beautifully realised portrayal of the power of fiction in our lives, for better or worse, and in Cushing himself we see a man who embodies that principle in all its pleasurable ambiguity. With the possible exception of his wonderful story 'After the Ape', Whitstable is Stephen Volk's best work to date, and I loved it" Peter Tennant, Black Static
"A moving tale... - and one which is crying out to be adapted into a biodrama. How about it, BBC Four?" Ian Berriman, SFX Magazine (5/5 stars)
"This is compulsive, fast-paced writing at its best... an enthralling read... a wonderful tribute to one of the great icons of horror and is up there with Volk's best work" This Is Horror
"Utterly engrossing" Barry Forshaw, author of British Gothic Cinema
"Utterly superb writing, clear as well as being full of haunting feelings... A story for our times... This is not only a classic work of fiction (but) an important one too" D. F. Lewis
"A beautiful piece of work -- heartfelt, respectful, elegant and brave" Dread Central (5/5 stars)
"While it has its chilling moments, it's less a horror story than a moving meditation on loss and heroism, and the ways in which the illusions of cinema can act both as an ironic counterpoint to 'real life' and a set of sustaining myths in the midst of its trials... Horror aficionados will enjoy the film references (...) but it's the warmth and humanity at the heart of this dark tale that really count. Highly recommended." David Sutton, Fortean Times
"This is the subtlest of horrors... touchingly poignant one moment, then heart-stoppingly dark the next" The Eloquent Page
"Undoubtedly one of the most touching and heartfelt books I have ever read" Katie Doherty, Black Sunday Magazine
"A terrific and heartfelt gem that blends real and imagined history to powerful effect. Peter Cushing, a complex and much-loved figure whose fundamental decency shone through even his darkest roles, here responds to a child's plea for help with the persistence and moral courage of the fairytale heroes he often portrayed." Stephen Gallagher (The Bedlam Detective, Eleventh Hour)
"It takes a fiction writer, Stephen Volk, to get closest to who (Peter Cushing) was and what he meant" Kim Newman, Sight & Sound
"I absolutely loved Whitstable. It is fantastic. Haunting, scary, and an incredible rendering of Peter Cushing, private man and actor" Reece Shearsmith, writer/actor (League of Gentlemen, Psychoville)
"Weakened by grief. the cinema's celebrated Van Helsing takes on a vile modern monster - persuasively done, compassionate and satisfying. Mr Cushing would surely smile." Phil Rickman (The Wine of Angels, Merrily Watkins Mysteries)
"To conjure an iconic character so vividly, and to then sustain that character for the entire story, amidst a fascinating immersion into Cushing's careeer and British film making, is some feat. I was impressed." Adam Nevill (The Ritual, Last Days)
"A stunningly original story and a superb example of the novella as an art form." James Everington, Scattershot Writing
"Volk has always been a sensitive writer and this novella certainly fits perfectly into his oeuvre. At the same time the story acts as a memento mori for all of us. It's easy to come away from this exquisite novella wishing that Peter Cushing had been a friend." Nancy Kilpatrick, Beware the Dark
"One of the best things - maybe THE best - that I've read this year. An honest-to-god triumph." Simon Bestwick (The Condemned)
"Just finished Whitstable and erm, seem to have something in my eye. Having been lucky enough to meet Peter Cushing, I can honestly say Mr Volk has beautifully nailed the man. A lovely novella, highly recommended." Anne Billson
"An extraordinary story. This is the best of horror fiction, and if you go away and hunt out only one book from this list you should make it Whitstable" Top Five Books 2013, Richard Wright
"Whitstable will leave you shocked, surprised and left without doubt you've read a novella of great beauty by a writer at the pinnacle of his craft" Anthony Cowin, Horrifically Horrifying Horror Blog
"I have just finished Whitstable and I have been touched, mesmerised and even humbled by such an awesome piece of writing" Zonacrypt
"Wonderful and touching... One of the most moving books I've read in the last year - and by that I mean blubbing in my beard. A very special little book" Jim Moon, Hypnobob
"Profound and touching... Highly recommended" Horror World
"Volk has already given us horribly convincing personifications of human evil in Ghostwatch and Afterlife - and here he gives us his most striking vision of redemption, helped along by the mildest-seeming of heroes. But that was always Cushing's strength, for me - under the quirkiness of his heroes, there was always a very steely edge and that's something captured wonderfully here" Paul Magrs, Life on Magrs blog
"Wonderful, atmospheric and very very moving. I loved this book from start to finish and definitely recommend it" Phil Collinson, former producer, Doctor Who
"Masterful" Stephen Jones, editor, Mammoth Book of Best New Horror series
(cover of Fortean Times #301 [May 2013] featuring the article "Peter Cushing: The Human Face of Horror" by Stephen Volk, as well as an extract from Whitstable, the novella, soundbites by horror luminaries on the great actor, and a feature on "Weird Whitstable")
by Stephen Volk
(novella, Gray Friar Press, 2009)
*Shortlisted for the Shirley Jackson Award
*Shortlisted for the British Fantasy Award
Welcome to Shewstone House Hotel. One of those quiet places.
An oasis of calm to escape the stresses and anxieties of modern living.
Where a non-paying guest waits for his next victim...
"Vardøger" is Gray Matter Novella #5 in the series (after "Rain" by Conrad Williams, "Hard Roads" by Steve Vernon, "The Appetite" by Nicholas Royle, and "Groaning Shadows" by Paul Finch).
100 signed limited hardbacks/ 300 unsigned trade paperbacks
"This debut novella from veteran screenwriter Stephen (Ghostwatch) Volk wastes no time: the storytelling is swift and its terrors are positively Serling-esque... With abundant frights, Vardøger is sure to leave even the lost stalwart reader unsettled." Rue Morgue Magazine
"Fully as cunning and frightening as any of his previous work" theundeadrat.com
by Stephen Volk
(story collection, Gray Friar Press, 2006)
Buy a copy via Amazon
A strapped-for-cash undertaker who is given an unspeakable task to perform... Two sisters who leave a saucer of milk out for something that isn't human - and may not be real... A Hollywood agent who has a problem with rats: for once, the four-legged kind... A group of ragamuffin children who find a body during the London Blitz: and decide to keep it... A city businessman's memory of his father, and the day his life changed forever...
"BAFTA-winning writer Stephen Volk outraged the critics with his first screenplay, Ken Russell's Gothic, and shocked an unsuspecting nation with his notorious BBC TV Halloween hoax Ghostwatch. His new, gripping supernatural drama series Afterlife was called "Terrific television" (The Guardian) and "Unmissable" (Mail on Sunday).
This first collection of his short fiction, like his best work for the screen, combines scenes of intense physical and psychological horror, with moments aching sadness and poignancy. Not without occasional stabs of black humour. Whether exploring traditional ghost stories reminiscent of the past, disturbing crimes of the present, or the wild imaginings of a far flung future, Volk delights in the dark corners of haunted houses and haunted people alike."
"Four of the sixteen stories appear for the first time... and they are all good." Ellen Datlow, Year's Best Fantasy and Horror
"An excellent collection" Video Vault
"The dark corners of Stephen Volk's short stories contain all that is heart-rending, grotesque and rage-inducing in the human condition. But he illuminates these enigmatic and unsettling pieces with a polished, subversive and delirious wit. This is a cracking collection." Andy Hedgecock (Associate Editor, Interzone)
Introduction by Tim Lebbon
The Best in the Business
The Latin Master
Three Fingers, One Thumb
The Anamorph of Hans Baldung Grien
The Chapel of unrest
The Fall Children
A Pair of Pince-Nez
Curious Green Colours Sleep Furiously
The Good Unknown
No Harm Done
Afterword by Stephen Volk
A novelization by Stephen Volk from his own screenplay
(Grafton Books, 1987)
(Virgin Vision Ltd)
"To create a ghost story, what is that? But to create a ghost..."
June 16th 1816 at the Villa Diodati. The famous night of inspired imaginations that created monsters.
Or was something real created that night?
Something born out of electricity and laudanum, formed from their most horrible secrets, congealed in jealousy, lust, guilt and visceral terror? Some all-powerful creature that vowed revenge on its creators.
Byron. Shelley. Mary. Polidori. Claire.
Perhaps by morning they would escape the nightmare. If they were all alive by morning.
If they were sane.